Introduction

Babygirl, directed by Halina Reijn, is already one of the most talked-about films of the year. Featuring Nicole Kidman and Harris Dickinson, the film explores a complex and steamy affair between a high-powered CEO and a younger intern. However, despite its intriguing premise, the film has become known for its style over substance, embodying what can only be described as an “internet film” – one that relies heavily on aesthetics, unexpected soundtracks, and provocative moments to create buzz.
The Premise
The film follows Romy (Nicole Kidman), a 57-year-old CEO in a robotics company, and Samuel (Harris Dickinson), her 28-year-old intern. Their sexual affair is filled with power play, kink exploration, and moments of self-discovery. The dynamic between the two is exciting to watch, as neither of them has quite engaged in such a relationship before, and they experiment with different boundaries, creating a mix of curiosity and thrill.
What The Film Doesn’t Do

While the film touches on numerous important themes—such as the exploration of an older woman’s sexuality, the tension between public and private selves, and the balance between ambition and ethics—it doesn’t fully explore any of these ideas. The film sets up various thought-provoking moments but never follows through, leaving audiences with an unfinished tapestry of ideas.
The Visual Appeal
Despite its lack of depth, Babygirl excels in its visual elements. The film’s use of color—from rich reds and blues to the wintry tones of New York City—creates an engaging atmosphere. Nicole Kidman’s portrayal of Romy, especially in various memorable scenes, adds a layer of excitement. Whether she’s in office wear at a rave or experiencing a peculiar moment of vulnerability, the film’s visual moments are immersive and memorable, making it a visual feast.
The Verdict
Babygirl is ultimately a film that’s more about the vibes than any deep narrative meaning. It’s visually stunning, with strong performances and some captivating moments, but its lack of a solid thematic conclusion may leave some viewers unsatisfied. If you’re looking for a film that’s fun, erotic, and visually engaging, Babygirl will certainly satisfy. Just don’t expect to leave with any profound takeaways.
A small river named Duden flows by their place and supplies it with the necessary regelialia. It is a paradisematic country, in which roasted parts of sentences fly into your mouth. Even the all-powerful Pointing has no control about the blind texts it is an almost unorthographic life One day however a small line of blind text by the name of Lorem Ipsum decided to leave for the far World of Grammar.